Brusho, with cut and town orchid shapes glued into place, with some wax resist images added to the image |
First washes laid around and over collaged images |
Orchid Collage - A1 Watercolour Board Finished Painting |
Orchid Collage - detail |
Orchid Collage - detail |
Orchid Collage - detail |
This final painting was a really enjoyable exploration of scale. I had drawn from the painting I completed for the themed collage and painting http://miriamward.blogspot.co.uk/2013/10/exercise-themed-collage-and-painting.html I loved the way the orchid images look in the abstract painting but I had also really enjoyed the gorgeous mid tone of the indigo watercolour I had used. I decided however that for this painting and collage I would include some of the green and yellow due to the green and yellow orchid I have. I felt that that the use of a yellow wash across the whole board would give n interesting basis and provide contrast when I use a resist to echo some of the images. I also decided I would like to try to work on a larger scale for this final painting and so had a rummage through my watercolour resources and came across this watercolour board which I had originally picked up for mounting my textiles work for assessment. I guess if I am not going to work on this scale now then its never going to happen. I photocopied images of my own paintings and tore and cut them and arranged them on the watercolour board which I had washed with lemon yellow brusho. After arranging and gluing the images to the board I then worked on some areas using a white wax crayon, and then started my layering of tonal washes. Once I was happy that the tonal washes were sufficient I then further worked into the painting using some black, white and indigo oil pastel as I was able to use this to blend and soften some of the edges.
I think the main issue with this painting has been knowing when to stop! Its tempting to keep on darkening the tonal edges around the collaged pieces but I think I have managed to gain a fairly balanced finished piece - particularly the relationship between the yellow resist areas and the darkest indigo areas. I think I am surprised overall with this piece as I had not really taken to the collage exercise as such, however I do think collage is something I will explore again in textile sketch and log books.
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