Hibiscus plant - rescued from a garden centre....and flowering beautifully |
Withering hibiscus blooms - such amazing shapes and form |
Ink and aquamarker study of withering hibiscus blooms - A5 sketchbook |
Tissue paper base, watercolour wash and soluble graphite - withered hibiscus bloom A4 |
Ink and Aquamarker |
Hibiscus Bloom - A3 - Brusho wash, Chinese white and Alizarin crimson watercolour. |
Hibiscus bloom - detail |
Hibiscus bloom - detail |
Following the successful experimentation in my A4 sketchbook I really felt this was a painting I would enjoy. I had to paint each petal individually so that I could allow the alizarin crimson to bleed into the wet chinese white, I love the resultant feathered effect and am very happy with how this painting has turned out. I had used a very vibrant lemon yellow brusho as a wash and had found in the sketchbook painting that this approach gave a background that did not actually seep into the white as I painted this over it, although I had kept the white fairly thick to make the most of its opaque quality. I was thrilled with the pure crisp bleeding of the alizairin crimson and was equally pleased when I was able to recreate it for the Hibiscus Bloom painting. the composition of this painting was about making sure i didn't just have the centre of a hibiscus flower in the centre of my page - and the offset approach has allowed some of the vibrant yellow to stand alone. It was quite a challenge to achieve the twisted effect of the stamen in the centre but I achieved this by drying the painting thoroughly then painting over that section again with a very heavily saturated mix of alizairin crimson. As I reflect back at this painting I think it is probably one of my freer paintings and one which I didn't agonise over for a long time, however through the process of sketching I had already discounted other interpretations of the hibiscus, I really did want it to look like what it is!
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